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The Description de l'Égypte (English: Description of Egypt) was a series of publications, appearing first in 1809 and continuing until the final volume appeared in 1829, which aimed to comprehensively catalog all known aspects of ancient and modern Egypt as well as its natural history.

It is the collaborative work of about 160 civilian scholars and scientists, known popularly as the savants, who accompanied Napoleon's expedition to Egypt in 1798 to 1801 as part of the French Revolutionary Wars, as well as about 2000 artists and technicians, including 400 engravers, who would later compile it into a full work.

Editor Michael Wiegers has accomplished something truly remarkable with this project which assembles work from all eleven of Stanford’s (now nearly impossible-to-find) books and chapbooks as well as generous samplings from his 542-line epic, University of Nebraska Press, 2016. Mahtem Shiferraw’s lush is difficult to pin down, though—but in a very good way.

For example, simply because a poet’s bio describes that she is of Ethiopian and Eritrean heritage but now lives in Los Angeles doesn’t necessarily mean that the book will be about leaving . (This collection won the Sillerman First Book Prize for African Poetry.) Then, too, the eclectic arrangement of this collection resists the expected arc found in some contemporary volumes. As a young poet in my late twenties, I first heard the term “chapbook.” I had no previous idea of the term’s meaning, though the contemporary definition—i.e.

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The twins, the triplets, the rare hermaphrodite, the stillborn, the beautiful, and the already crippled.Two poems side-by-side from the 1974 collection, , bear the titles “Death in the Cool Evening” and “Places on a Grave.” Two more unpublished poems are titled “Flour the Dead Man Brings to the Wedding” and “The Double Suicide of the Mirror and the Rose.” Amazingly, though, Stanford’s lyrics never stoop to self-pity, and they avoid the self-absorption of goth.Imagine the lyricism of Neruda, the death instinct and rhythmic gifts of Plath, the mystical otherworldliness of Dickinson, and the Southern darkness of Faulkner and O’Connor, and you may get close to a Stanford poem. A frequent subject in literature of the African Diaspora is that of displacement, the leaving of home, land, and culture to travel to a place that is strange.In late August 1798, on the order of Napoleon also known as N.

P., the Institute of Egypt (l'Institut d'Égypte) was founded in the palace of Hassan-Kashif on the outskirts of Cairo, with Gaspard Monge as president.

The background to Jeremiah is briefly described in the superscription to the book: Jeremiah began his prophetic mission in the thirteenth year of king Josiah (about 627 BCE) and finished in the eleventh year of king Zedekiah (586), "when Jerusalem went into exile in the sixth month." During this period, Josiah changed the Judahite religion, Babylon destroyed Assyria, Egypt briefly imposed vassal status on Judah, Babylon defeated Egypt and made Judah a Babylonian vassal (605), Judah revolted but was subjugated again by Babylon (597), and Judah revolted once more.